Monday, January 31, 2011

Signing "Saturday" (Belated)

Sorry for the delay on Signing Saturday guys! My weekend was quite busy, as my roommate and I just applied for a lease on our first apartment! Ain't that exciting?

This week's sentence is brought to you by Summer Ross, one of the most regular commenters on the blog (and for that I thank her a ton!). She requested that I sign "I believe in fairies."



Now for the dissection. For the first three or four signs of the sentence, notice how my eyebrows are up. That's some of that facial grammar in American Sign Language. Basically, your eyebrows are up for the 'topic' or subject of the sentence, and they go down and you nod for the 'comment' or information about that topic. This sentence, I sign literally: "I BELIEVE FAIRIES-fs FAIRIES LIVE." The "I BELIEVE" is pretty simple: "I believe in." The last part is a bit more tricky. Now, just to say fairies isn't enough, since believe is used for "I believe in God", so there might be some ambiguity. I added "LIVE" or, exist at the end to clarify the context. In the gloss (the literal word for word, grammatical writing of the sentence) I spelled "fairies" using the manual alphabet (fingerspelling), then did my sign for it. The reason I reinforced the idea that the little flapping sign was "fairies" is also for clarity, since that sign could also mean "angel(s)" or just be me flapping my hands to someone who doesn't know the context of the sign.

So there! Feel free to send in your sentences to cheesysigning @ gmail.com. I don't have anything for next week (after this week's book review), so don't be shy. If you're curious, send me in anything: long, short, simple, complicated, etc. And if Elena and Summer want to send in something else, feel free. :)

Monday, January 24, 2011

Determining Distance

I got an idea for this post when I saw a status update on Facebook of all things. It seems like a valid issue and so today is getting two posts rather than one.

There is an author I watch on Facebook who is very passionate about her writing. It acts as a catharsis for her personal issues, a therapeutic push through her past and the present of her imaginary friends. I can attest that my characters gain virtual lives of their own the more I write with them, their experiences become close to me and all that. I think every writer who works through a particular story, especially a series, becomes attached to their 'baby(ies)' and knows what this is like.

However, how much attachment is too much?

In my Consecutive Interpreting class today (more sign language) we talked about the proper way of addressing an interpretation. We talked about separating it from the signer and referring to it in neutral terms (talking about the product not the performer). In a way, we were talking about keeping professional distance. Through my writing classes, they talk about writing as a process, a technical art form. Characters are tools to achieve a thematic end. Fiction remains fiction and the creation doesn't take on a life of its own apart from what the reader feels.

With either of these approaches to writing fiction, no matter the genre, there is a risk of either losing your own identity in the work or the work losing its identity because you're not in it. I agree that passion is an integral part of writing, or else why would you write? It certainly isn't the easiest job on earth, and never the most lucrative unless you're extremely lucky. If the characters are alive on the page, if their struggles are a visceral experience, then the story is a success. Everybody knows that. But keeping that professional distance is key to not letting the lines between them and you blur.

When I was younger (yes, middle and high school where hormones are high and everything is big) I lost myself in my characters, used them to cope with my melodrama. Unfortunately, that stunted my growth as an independent entity, that prevented me from being the real, flesh and blood me. Now I know a little better and developing my own voice apart from theirs. I can relate to them all I want, but vicariously living through them just isn't healthy. I had to learn to separate myself and become a "god," guiding the lives of my creations through their trials and tribulations until they come to their natural end. I learn to delight in their hardships, find entertainment in their struggles, knowing in the back of my mind I have absolute control of the outcome. I'm the one with the control, not them.

So, letting the characters lead the story is all well and good, but as Authors/Writers we can't forget we have absolute control of our creations and ourselves. We can delight in torturing our friends for our own entertainment and nothing will happen. They are words on a page, thoughts in a mind, fiction! That is so empowering to me, that I can let my imagination play and let it create all it likes. In the end, the identity of 'maker' is the strongest thing protecting me from my characters and myself. Face it, if something out of Inkheart ever happens, writers/storytellers/authors are the first on the chopping block. So don't give the characters a chance to possess you and get their payback!

If you have had any experiences where it feels like characters are more real than they actually are, please share! What's your perfect balance of distance and vicarious living? Are characters more friends or tools to you? Are stories more art or product?